Upcoming Auditions - Official Site of Blue Man Group

Upcoming Auditions

To be considered for a future audition, please submit a recent headshot or photo along with a performance resume. Make sure to include height, weight, your current location and all relevant acting and music experience. Please note you must fall within our height requirement, which is between 5'10" and 6'2". We prefer to receive submissions electronically at casting@blueman.com.

 

If you must submit a hard copy, please mail to:

 

Blue Man Productions Casting

599 Broadway

6th Floor

New York, NY 10012

 

We review all submissions and will contact you only if we are interested in setting up an audition. We do not see performers more than once in any 12 month period.

Auditions

BLUE MAN OPEN CALL - Chicago

Briar Street Theater, 3133 N. Halsted Street, Chicago, IL.
Monday, October 24, 2016 - 10:00

Open Call auditions for the role of Blue Man on October 24, 2016. All candidates who fit the requirements below can audition anytime between 10:00AM and 4:30PM. Callbacks will take place the following two days. Blue Man Group is currently casting for productions in Orlando, Las Vegas, Boston and Chicago.  Must be willing to relocate.  All training takes place in New York City. Seeking performers between 5'10" - 6'2" with an athletic build.

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Testimonials

Mark Frankel
Blue Man

Portraying a character as your profession is a unique responsibility. Sometimes when I'm getting ready to perform, I think about a family that might be on their way to see the show at that very moment and the conversation they may be having, sharing their excitement and anticipation with each other...

Gideon Banner
Blue Man

Seeing shows by artists such as Richard Foreman and the Wooster Group helped me to understand the ethos in which Blue Man was created.  And I’ve always had a great love for slapstick comedy: the Three Stooges, the Marx Brothers and Buster Keaton.

Jordan Woods-Robinson
Blue Man

The continuous practice of breaking beats down into smaller, more detailed beats and dissecting moments into smaller and more intricate moments and thought processes are borrowed from Grotowski and the art of imagined circumstances and drawing impulses from your partner come from Meisner. Lecoq helps to be aware of one’s physicality and draw character from that, similar to mask work which is heavily reliant on breathing and body posture to convey story.